Thomas Eakins
American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".
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Thomas Eakins Wagon oil painting


Wagon
mk212 1879-80 Oil on canvas 60.3x91.4cm
Painting ID::  50559 		Thomas Eakins
Wagon
mk212 1879-80 Oil on canvas 60.3x91.4cm
   
   
     
Thomas Eakins The buddie is rowing the boat oil painting


The buddie is rowing the boat
mk212 1872 Oil on canvas 61.3x91.4cm
Painting ID::  50577 		Thomas Eakins
The buddie is rowing the boat
mk212 1872 Oil on canvas 61.3x91.4cm
   
   
     
Thomas Eakins Frank Hamilton cushing oil painting


Frank Hamilton cushing
mk217
Painting ID::  50991 		Thomas Eakins
Frank Hamilton cushing
mk217
   
   
     
Thomas Eakins max schmitt in a single scull oil painting


max schmitt in a single scull
mk247 1871,oil on canvas,32.25x46.25 in,82x117.5 cm,metropolitan museum of art,new york,ny,usa
Painting ID::  56270 		Thomas Eakins
max schmitt in a single scull
mk247 1871,oil on canvas,32.25x46.25 in,82x117.5 cm,metropolitan museum of art,new york,ny,usa
   
   
     
Thomas Eakins the agnew clinic oil painting


the agnew clinic
mk247 1889,oil on canvas,84x118.125 in,213x300 cm,university of pennsylvania,philadelphia,pa usa
Painting ID::  56332 		Thomas Eakins
the agnew clinic
mk247 1889,oil on canvas,84x118.125 in,213x300 cm,university of pennsylvania,philadelphia,pa usa
   
   
     
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     Thomas Eakins
     American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".

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